Despite of (or perhaps because of ) its sparse production values and unpretentiousness, the Italian Gli Innamorati was feted at the 1956 Cannes Film Festival. The bulk of the story takes place in a single Roman neighborhood. In the manner of the 1925 German classic A Joyless Street, director Mauro Bolognini studies the hopes, dreams, successes and failures of the neighborhood's various and sundry denizens. No one subplot dominates the proceedings, though a bit of extra time is afforded the story of a fickle seamstress and her seemingly meek-and-mild boyfriend. The cast is dotted with such reassuringly familiar faces as Nino Manfredi and Gino Cervi. Released in the US as Wild Love, Gli Innamorati was instrumental in bringing international fame to director Bolognini, whose career soon shifted into high drive.

Maurice Berger (Louis De Funes), a túlpörgött párizsi taxis Spanyolországba indul családjával és sógorával nyaralni. A határnál megismerkednek egy szőke szépséggel, aki kihasználva a férfiak mamlaszságát, egy értékes gyémántot rejt el Maurice zsebében. A taxis mit sem sejtve az országba csempészi az értékes drágakövet, s nem is sejti, hogy a szép hölgybe Sevillában már nem véletlenül futnak bele.

1559-ben a csinos hercegnő, aki egy nála sokkal idősebb férfi hitvese, vonzal- mat érez a jóképű Nemour herceg iránt, aki a királyi udvar kedvence. Cleves a- zonban hűséges hitves, ezért férjéhez fordul, védje meg őt vágyai ellen. A 17.századi Franciaországban a regény nem számított komoly irodalomnak, noha tucatjával jelentek meg a kaland- és szerelmes regények. Madame de Lafayette érdeme, hogy Cléves hercegnő című regényével olyan új formát és nyelvet adott ennek a műfajnak, mellyel megújította. Művét a mai napig a francia irodalom legnagyobbjai közt tartják számon.

The short explores the relationship between George, a man trapped inside a small bottle, and Chako, a young girl who is scared of her alcoholic father. She is poor, but resilient, and she lives with her cat.

Born in 1918 in the ideal village of independence activists in the northern part of Manchuria, pastor Moon Ik-hwan lost his childhood friend Yun Dong-ju under Japanese oppression and Chang Chun-ha during the Yusin regime. Moon survived the mass of modern Korean history, giving hope everywhere suffering.

A 1980 pene movie from Bathaluman Productions. Original title Asawa Mo, Kalaguyo Ko.

Two brothers travel from Mexico City to Las Vegas for the U.S. Motocross Open.

Exhausted by odd jobs and a lack of money, Siru manages to lie her way into becoming a fake doctor by a series of misunderstandings. Her new relationship with lawyer Niko is hopefully true, although it seems that not only Siru but several of her close friends are also lying. Some of them even lie for a living.

A Fond Face from the Past is also set in a rural community, specifically a village outside Kameoka, near Kyoto. In some ways this short, thirty-six-minute film is Naruse's most moving negotiation of the militarist restrictions of the time, perhaps because it is also his most direct engagement with the culture of war. When a newsreel comes to Kameoka featuring a local man named Yoichi, it causes some excitement in the community and, of course, in Yoichi's own family. First of all his mother makes the newsreel (Nippon News, no. 14), which begins with the same marching music that opens his own film, followed by a curious baby judging context in Los Angeles featuring two hundred Japanese babies. Released in January 1941, almost a year before the pacific war begins, this “found footage” is indicative of Japanese imperialist ambitions beyond Asia long before Pearl Harbor.

The Minions will try anything to help Agnes overcome her fear of the dark, even if it involves going into outer space.