Suzumiya Haruhi no Gekisou (涼宮ハルヒの激奏, The Extravaganza of Haruhi Suzumiya) was a live concert event held at Omiya Sonic City on March 18, 2007 that featured songs from the anime as well as interviews and skits performed by the voice actors.The MCs for the event were Minoru Shiraishi and Megumi Matsumoto.

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

Egy tízéves kislány elkezdi megkérdőjelezni szokatlan életét családjának a vidéki Angliában található erődítményében.

A seemingly unremarkable man spends a day taking a bizarre test at a mysterious facility. Through his day he interacts with the odd, detached employees of the facility, guiding him from section to section, obscuring the intentions or duration of the test.

Egy déli kisvárosban sorozatgyilkos pusztít, és mindenki gyanúsított, beleértve a rendőrséget is.

An amateur filmmaker, struggling to turn his passion into a career, returns home to Loveland with friends determined to obtain irrefutable proof that the cryptid legend of Frogman exists.

Aurora, a könyvtáros, aki egy detektív klubnak ad otthont, azt tapasztalja, hogy a klubhoz kötődő emberek sorra gyilkosság áldozatai lesznek, ráadásul az általuk vizsgált bűnesetekhez hasonló módon lelik halálukat.

Shun Miyata's new life in Tokyo takes a dark turn when he and coworker Yuka discover their boss Yuriko is involved in insurance fraud and murder. As they grapple with the betrayal, their bond deepens, contrasting youthful hope against a backdrop of adult corruption.

Amikor egy sztárfodrászt vérbe fagyva találnak az anyja mellett, egy fiatal nyomozónak 20 napja van rá, hogy megoldja az esetet. Megtörtént események alapján.

Amikor a teljes napfogyatkozás után sötét erő borítja be a Földet, a szétszóródott harcosoknak újra egyesülniük kell, hogy visszahozzák a fényt a világba.

An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.

Double-crossed after a bank heist, a team of professional thieves attempts an even more challenging mission: returning the money they stole.

Valdis Nulle is a young and ambitious captain of fishing ship 'Dzintars'. He has his views on fishing methods but the sea makes its own rules. Kolkhoz authorities are forced to include dubious characters in his crew, for example, former captain Bauze and silent alcoholic Juhans. The young captain lacks experience in working with so many fishermen on board. Unexpectedly, pretty engineer Sabīne is ordered to test a new construction fishing net on Nulle's ship and 'production conflict' between her and the captain arises...

Kabir and his family's fun weekend retreat takes terrifying turn when an intruder takes over the control of the body of his teenage daughter, putting her at the mercy of his increasingly sinister orders.

In this documentary, director Tang records his own son's birth and growing up, his father's recovering from a stroke and a nostalgic trip home to China. (In the 1940's his father evacuated with the Nationalist troops to Taiwan after it lost the Mainland to the Communist in the war. It wasn't until 1980's were people allowed to go home to visit in Mainland China). From his search for the earliest memory of life, with a close observation and sensitivity, he exams the parallels of the different lives of a different time. In his previous work, "HOW DEEP IS THE OCEAN," director Tang ends it with the ultrasound image of his unborn child, representing the beginning of a new life. With this work, "HOW HIGH IS THE MOUNTAIN," it is rather a beginning of a series of questions about life and a continuation of examination of his own life and the longing of a perfect world.

After doing Before Need, Gunvor Nelson and Dorothy Wiley embarked on a new creative process. They revisited the film, reworked it and reassembled it creating a shorter new version, called Before Need Redressed. A way to express how the passing time, reflection and accumulating experiences can affect the form and vision of a film. —Ulf Kjell Gür

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.