Wealthy and ill Petr Kornel (Karel Hasler) is not pleased with the carousing lifestyle of his nephew. He stops supporting him financially and demands that he change his name. Out of gratitude Kornel bequeaths a substantial sum of money to his nurse Alice (Adina Mandlová) with the condition that she marries. Petr Suk (Hugo Haas), as the nephew is now named, visits the doctor. In the waiting room his X-ray is mistakenly switched with one of another patient's. On the basis of this he presently learns that he is seriously ill and has only one day of life left to him.

A grandson of a recently deceased millionaire mistakes a beautiful female disc jockey for her aunt, who once dated the grandfather.

"Anyone can become a detective."

Egy professzionális barlangászokból álló csoport ambiciózus célt tűz ki maga elé: lejutni a mexikói Oaxaca államban található Chevé-barlang legmélyebb pontjára, és bebizonyítani, hogy ez a legmélyebbre nyúló járatrendszer a világon. A feladat nem ígérkezik könnyűnek, mert az expedíciót szűkületek, labirintusszerű útvesztők és zsákutcás mellékjáratok sokasága várja odalent…

Using images from my childhood and phone calls from key people in my life, we explore my particular sense of what is home to me. The home is not a place but a sensation produced by many more common factors that characterize our generation.

Los Angeles is depicted in 35 stationary shots, each 2 1/2 minutes long, in this non-narrative film, part 2 of Benning's "California Trilogy".

How Are You Feeling? by David Shrigley

How Will A Middle Aged Man Cope With The Loss Of His Ex Partner When Strange Co-Incidences Begin To Happen?

Alaxander, a faithful henchman of Peter, does anything ordered by him. In one confrontation with the enemies, Peter orders Alaxander to Kill Anu, an innocent girl. On contrary, he decides to save her.

The untold story of a Jewish baby who was born in the death camp before the liberation and survived. An extraordinary journey of the second and third generation, breaking the cycle of trauma to free themselves from Auschwitz - forever.

Thirteen dinners of a Chinese migrant worker's family over the course of fourteen months. The film portrays a series of random occurrences. Joys, frustrations and the struggle for survival. The meals unfold in real-time through thirteen static, long takes. Each take captures with vivid detail the reality of the relationships between the different family members. As the seasons unfold, so does time and the echoes for better working conditions penetrate the frame. Issues such as the one-child-policy and the possibilities for better wages weigh heavily on the minds of the three-generation family.

A young man, to ensure that he will pass the high school maturity test convinces his girlfriend to help him steal the answer sheets.

A palesztinai Ramallahban a szabadelvű Kamar hazája szigorú erkölcsi szabályai miatt szenved férje bebörtönzése után. Amíg fel nem fedezi újra a tánc iránti szenvedélyét.

This heartwarming adaptation of the novel tells the story of the courageous stallion Black Beauty, a well-bred horse in 19th century England. Black Beauty is happy as a country carriage horse, living with a wealthy Squire and his children Polly and Bertie

A solitary man works in a tall office building. The only moment in his drab life that's out of the ordinary each year seems to be opening the birthday card and gift from his mother. Usually it's a tie, but one year it's an accordion. It goes into the closet with his many ties. A year or two later, he discovers what happens to the papers he processes every day. His discovery sends him first to the building's top floor, then to his closet.

In a café in Paris, two friends—one single, the other in an “open” relationship—catch up on their lives and loves. In this animated short where the real story plays out in what’s not said, French cartoonist Aude Picault (Moi je) delivers a delightful ode to the sometimes-complex amorous relationships of modern times. She also takes an affectionate but penetrating look at friendship between women—and the jealousy, envy or judgment that can lurk behind the prettiest speeches.