Wile E. Coyote uses, among other things, a dehydrated boulder to try to catch the Road Runner.

This was the debut for Wile E. Coyote and the Road Runner. It was also their only cartoon made in the 1940s. It set the template for the series, in which Wile E. Coyote (here given the ersatz Latin name Carnivorous Vulgaris) tries to catch Roadrunner (Accelleratii Incredibus) through many traps, plans and products, although in this first cartoon not all of the products are yet made by the Acme Corporation.

Beginning with the arrival by canoe of a TV and VCR in their village, The Spirit of TV documents the emotions and thoughts of the Waiãpi as they first encounter their own recorded images and those of others. Viewing news broadcasts and videos of other Brazilian native peoples, the Waiãpi see the power of images to facilitate memory preservation and political awareness. Some people worry, though about the invasive spirits of outsiders that can come through the TV. Another concern is the negative exposure that might result from the Waiãpi broadcasting their own images.

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

A spunky young bellhop investigates the murder of a hotel guest.

Soviet animation inspired by the ancient Egyptian paintings.

It is the 30th millennium. Humanity is caught in the midst of a fratricidal war between those of the meta-human Space Marines who are loyal to the Emperor, and those who no longer are. The once noble warriors of the XII and XVII legions are cutting a bloody path throughout the realm of Ultramar, committing boundless atrocities out of sheer spite and hatred for their cousins belonging to the XIII legion. In this episode we gain a glimpse of the aftermath of the battle on planet Sathus, and the living nightmare taking place on a starship manned by traitorous legionaries, as they bide their time on the approach to planet Calth.

Violet, employed as a maid of Count Berkow, is wrongly accused of burglary of the Count. After an unjust prison sentence Violet travels to America.

Popeye is planting his spinach bed. Just as he finishes, the plants start disappearing. He discovers a gopher filching the baby plants and starts battling it.

Eight gay shorts culled from top film festivals - A cross-section of some of the best recent gay shorts culled from top film festivals including Slamdance, Outfest, Frameline and more. Included are the award-winners BEDFELLOWS, CURIOUS THING, MY NAME IS LOVE, and STEAM. Whether inspired by a poem about teenage longing or a melange of interviews with gay men in New York, the shorts collected here share one thing in common: they were among the crowd favorites at film festivals across the country.

In this short, a modern-day promoter tries to sell a man the idea of searching for Captain Kidd's buried treasure, claiming he has the original map. A flashback reveals that Kidd was known to be a pirate and also to have had a commission from William III at one time, which instructed him to act as a unit of the British Navy. What became of the fabulous treasure Kidd took from the ship "Kedah Merchant".

A humorous animated 'Op-Doc' explores the rich history of adaptation, plagiarism, and other forms of appropriation in art.

In this western, the Three Mesquiteers team up with a Texas Ranger to round up the outlaws who forced the ranger's younger brother into becoming a criminal.

Jack Taylor of Beverly Hills examines the dying art of men's custom tailoring through the eyes of one its most colorful characters on the eve of his retirement.

The film is an unofficial remake of Tamil film Ullathai Allitha, which itself is influenced by the Hindi film Andaz Apna Apna.