Miután felfedezte a kapcsolatot egy korrupt városi biztos és a kolumbiai gyilkosok között, Kojakot egy telefonáló lány meggyilkolására állítják, és Crocker volt rendőrnyomozó, jelenleg D.A. asszisztens vádat emel ellene.

Drama following the tensions and romantic crises among a group of friends over the course of a single wedding day.

Headstrong textile student Irina tries to overcome her problems by accepting a summer job offer from an isolated and offbeat village of Kyrsyä. As Irina begins to get a grip of herself, the harmless and offbeat hillbillies begin to reveal their true nature.

"A comic promotional mock documentary about a boy and his uncle who visit the Silverstone Racetrack during filming of the James Bond movie Thunderball (1965)."

In the Mouffetard district of Paris, Jérôme Crainquebille, an affable four-season merchant, is stopped by a police officer and taken to the station, unjustly accused of shouting "Mort aux vaches!" ("Death to the cows!"). When he returns to work after a fortnight's detention, he is ostracized by his neighbors. Lonely, Crainquebille sank into despair and alcoholism. His life in prison seemed sweeter, and his attempts to return were in vain. He owes his salvation to the affection of a local kid.

Italian poet Boccaccio (Louis Jourdan) hides in the court of Fiammetta (Joan Fontaine) and tells three tales of love and lust.

Jeune Cinéma is a footage film documentary about the famous yet forgotten Hyères Film Festival which took place from 1965 to 1983. It was at that time the most important in France just after the glamorous Cannes Film Festival and a friendly place to discover young directors such as Gilles Garrel, Akerman, Helma Sanders, Schroeter or Carax before they became a legend for the art-house film amateurs. Hyères was a vivid space for passionate debates, incredible polemics and above all surprising encounters. In a word, it was THE place to be for all the cinephiles. If it suddenly disappeared in 1983, it is not only because of internal and political conflicts but also for an unfair competition with Cannes. The « Perspectives » section at Cannes, widely inspired by Hyères, was attracting those same young talents discovered there. My personal history as a filmmaker is deeply tied to the “Collectif Jeune Cinéma”, which was in charge of the “Cinéma Différent” section.

The World at War: A Special Presentation - Secretary to Hitler

It is the 30th millennium. Humanity is caught in the midst of a fratricidal war between those of the meta-human Space Marines who are loyal to the Emperor, and those who no longer are. The once noble warriors of the XII and XVII legions are cutting a bloody path throughout the realm of Ultramar, committing boundless atrocities out of sheer spite and hatred for their cousins belonging to the XIII legion. In this episode we gain a glimpse of the aftermath of the battle on planet Sathus, and the living nightmare taking place on a starship manned by traitorous legionaries, as they bide their time on the approach to planet Calth.

Kevin Ryan egyike Hollywood legkedveltebb ifjú sztárjainak, aki nemcsak a kamaszlányok millióinak szívét dobogtatja meg, hanem busás hasznot is hoz az őt foglalkoztató filmstúdiónak. Ám minden egy csapásra megváltozik, amikor Kevin úgy dönt, visszavonul, abbahagyja a filmezést, hogy elég ideje jusson a tanulásra és végre úgy élhessen, mint az összes többi normális kamasz. A fiú elhatározása azonban nem nyeri el a stúdió vezetőinek a tetszését. A filmmogulok úgy döntenek, hogy mindenáron megakadályozzák, hogy a sikeres Kevin kivonuljon a filmiparból. Ennek érdekében bevetnek egy csinos ifjú színésznőt, egy izomkolosszust és még olyan mindenre képes fickókat is, akiknek Kevin nagybátyjával és menedzserével, Bob bácsival kell végezniük.

A hard-working prospector enters the town of Bakeoven to stake his claim, only to have his rights stolen and his face on "Wanted" posters. He plans reprisal.

A young girl goes through the ups and downs of school-life.

The Inspector goes after Spider Pierre an expert pickpocket.

Beginning with the arrival by canoe of a TV and VCR in their village, The Spirit of TV documents the emotions and thoughts of the Waiãpi as they first encounter their own recorded images and those of others. Viewing news broadcasts and videos of other Brazilian native peoples, the Waiãpi see the power of images to facilitate memory preservation and political awareness. Some people worry, though about the invasive spirits of outsiders that can come through the TV. Another concern is the negative exposure that might result from the Waiãpi broadcasting their own images.