To conceal his nighttime infidelity from his wife Gisele, Pierre calls in a particularly shady private detective to concoct an alibi. He is introduced to a certain Robert Crémieux, who will pass himself off to Gisèle as a childhood friend with whom he spent the night until the early hours of the morning. The so-called childhood friend turns out to be a delinquent accused of burglary and rape on the very night he was supposed to be with Pierre. Pierre is immediately suspected of being his accomplice and, trapped by his own turpitude, arrested. Entangled in his lies and denials, he has to admit his infidelity to get out of the impasse.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

A young man Danesh learns of ancient relics, including a ruby that once a year can help find treasure in the Canyon of Scorpio. As the old man holding the knowledge passes away, Danesh receives the ruby and a map, setting out for an adventure full of mystery and danger, friend and foe, set under the dazzling southern sun.

This is a newly restored version of documentation of the 1967 group performance Snows, which was built out of Schneemann's outrage and sorrows over the atrocities of the Vietnam War. An ethereal stage environment combining colored light panels, film projection, torn collage, hanging sacks of colored water, "snow," crusted branches, rope, foil and foam was the set and setting in which an audience-activated electronic switching system controlled elements of the performance/installation. Images from film, slide and live action propel silent, ghostly performers to become aggressor and victim, torturer and tortured, lover and beloved, as well as simply themselves in this breakthrough mixed-media film performance. (The film Viet-Flakes is a central element).

The film highlights the sacred bond with another human being through nuptial rituals and the sanctity of the institution of marriage.

An orphaned bear cub is adopted by little Emily and her family. They name the cub Masha, raise her and release her back into the wild. Three years go by, and Emily is lost deep in the forest. Cold, frightened and alone in the darkness, she falls and is knocked unconscious. When she awakens, Emily is amazed to see that a brown bear has kept her warm and dry all night by cuddling her. It's Masha – and Emily is overjoyed to be reunited with the bear just when she needs a friend most. Together the two bravely set off on an adventure to find their way home. Bear With Me is a tale the whole family will find as exciting as it is heart-warming . . . and the magnificent forests of the Pacific Northwest lend this story of loyalty, friendship and adventure a magic all its own.

A widower with four grown daughters remarries and brings his new wife home to meet them. The girls set out to make life as difficult as possible for their new mother.

Jim Vesser and his team of railroading men try to build a rail line through a mountain pass, while a group of less scrupulous construction workers sabotages the entire operation in the hopes that they can get their tracks laid first and get the money from the railroad.

On a secluded base in Arizona, veteran World War I pilot Steve Britt trains flyers to fight in World War II. One of his trainees, Englishman Peter Stackhouse, competes with Britt for the affections of Kay Saunders, the daughter of a local rancher. Despite their differences, Britt makes sure Sutton passes his training and becomes a combat pilot -- even though he loses Kay to the young man in the process.

A married man and his young mistress suffer sadistic torture when Tom, Dick and Harry invade their penthouse.

Bob James made his name in fusion and smooth jazz, but some of us believe the pianist’s acoustic trio records represent his highest art. His 1996 album Straight Up, with bassist Christian McBride and drummer Brian Blade, and 2004’s Take It from the Top, with bassist James Genus and drummer Billy Kilson, are career highlights and gems of their genre. Those records will never escape the shadow of 1978’s Touchdown or 1975’s One, but now James gives us the best of both worlds, revisiting his biggest hits in a trio format and tossing in other tunes. Despite its title, Feel Like Making LIVE! isn’t a concert recording. It was recorded “live in the studio” with old pal Kilson and young bassist Michael Palazzolo, who’s been in James’ bands for several years now. Rather than swing like a bop trio, they play classy, R&B- and pop-tinged jazz that’s both accessible and adventurous.

A young woman (Maya Kazan) gets revenge on both her uncle and the man who took advantage of her.

A mother and her son find themselves in an awkward situation where they live in the same building but they're separated due to different reasons. Mahmood develops a system to solve this issue and the situation starts to heat up. A man loses his cousin in a horrible accident and he lives through hell as he is trying to live normally, while ruining other things on his way.

Alfredo, jailed for theft and fraud, after having served the sentence discovers that his wife Adelina no longer wishes to live with him.

Maria cannot stand her husbands jealousy any more. He treats her in a violent way, a proof of their relation is going through a crisis. A trip they were planning to take together aiming at the amelioration of their relationship, confronts them with sex, violence and a deadly secret. Giannis appears in Marias life and they soon become lovers. The boundaries between freedom and jealousy are hardly