A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

After regaining his manliness, he escapes from hell Satan for embezzling Secretary of infernal hacienda, being chased by a couple of poor devils good for nothing, and took refuge in the cabaret ends up working as a transvestite.

Men will be men.

Radiation oncologist and choreographer Dr. Niraj Mehta seeks to heal cancer through movement.

On the 20th anniversary of their edgy little 90's cable show Underground Entertainment, the authors, along with many SF, horror and B celebrities in cameos, remember how they pushed the envelope, shocked, entertained, but also introduced the audience to many movies, comics and conventions.

Mounting of the film by Dmitry Frolov on the basis of documentary frames of performances of Russian ballet dancers and lifeless margins of the Russian outback. Symbolizes the slowly naked and dying Russian world.

These are new times for Huxi Bach. He's got twins. Life has changed radically. Everything is new and confusing. And just as the fog was about to lighten, corona came.

A brilliant child scientist must join forces with her sister when a cloning experiment goes awry.

Based on the best selling Camino memoir of the same name by Bill Bennett, the film documents one man's journey along the Camino de Santiago, searching for meaning, not realizing it was right in front of him, one step at a time.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

A lonely, grief stricken man finds a new lease on life after an unusual 'friend' is mysteriously delivered to his door. A unique relationship forms, until tragedy reveals that this 'friend' was just one of many.

A group of factory workers in post-independence Mozambique performs a ritual of song describing their work in South African gold mines, and decrying the evils of apartheid.

« In the shadows of Low Life, a secret ceremony dedicated to thirteen guardians of humanity’s common treasures, love and resistance, youth and poetry, equality and difference, insurrection and revolution. Saxifrages … These rootless plants’ windblown destiny is a soft perseverance doubled by an imperceptible intransigence, which, in time, imposes on the hardness of stones a patience that can break them. » – Saad Chakali

Vivienne Dick - 1983 Like Dawn to Dust takes up the exploration of the rural landscape initiated in Visibility Moderate but it is characterized by a very different mode of address. Instead of appropriating from radio, television or film, Dick develops a more overtly 'poetic' aesthetic, through performance, cinematography and sound. The opening shots of a decaying 'Big House' bearing the scorch marks of a fire, are accompanied by an off-key piano, recalling stage melodrama or early cinema. The house, most likely a remnant of Anglo-Irish society, is abandoned but for the figure of Lydia Lunch, wearing her signature New York 'Goth' make-up and clothes. Lunch delivers a poetic monologue, both on screen and in voice-over, over a traditional soundtrack and her final words emphasize the circularity of Irish narratives: 'the past never dies, it just continually repeats itself.'

'Ora Ponciano stars Chucho Solorzano as the eponymous hero. Set in 19th-century Mexico, the story deals with a celebrated matador named Ponciano, as skillful with the senoritas as with the toros. Special attention is lavished upon the romance between the bullfighter and the fair Rosario (Consuela Frank). Much of the film is given over to authentic re-creations of various folk festivals and dances, with the extras colorfully (and accurately) costumed for the occasion. The fact that the bullfighting sequences are not excessively brutal is an indication that the producers of 'Ora Ponciano hoped to release the film in the U.S.