Nanni Moretti takes another look at the ebbs and flows of life in April 1996, as he becomes a father for the first time and seems unable to focus on his documentary about the upcoming national elections.

Életrajzi film, hiszen Moretti, a rendező írta és saját magát alakítja a filmben, ő a narrátor is, de talán nem dráma. Egyes jeleneteken, a telefonfülkés töketlenkedésen vagy a sorozatfüggővé vált haveron még röhögni is lehet. Cselekmény szinte semmi, Moretti bemutatja kedves helyeit, a legszebb részek az elején vannak, ahogy robogójával megy a kamera előtt, és Róma ritkán látott részein kóvályog. Amikor a szigetekre mennek a haverjával, inkább mulatságos, a sok felbukkanó lehetetlen alak nagyon egyedi. A vége, a betegségről szóló rész elgondolkodtató, de az is feloldódik a végén, Moretti túléli az orvosok "segítségét".Hangulatos, furcsa film.

A leftist revolutionary or a reformist democrat? A committed Marxist or a constitutionalist politician? An ethical and moral man or, as Richard Nixon called him, a "son of a bitch"? In SALVADOR ALLENDE, acclaimed Chilean filmmaker Patricio Guzmán (The Battle of Chile and Chile, Obstinate Memory) returns to his native country thirty years after the 1973 military coup that overthrew Chile's Popular Unity government to examine the life of its leader, Salvador Allende, both as a politician and a man.

The young priest Father Giulio returns to Rome, his hometown, after a long pilgrimage. Don Giulio hopes to live peacefully with his family and his friends, but discovers that many of them are depressed or frustrated, and some suicidal.

Cesare Botero, an ambitious and corrupt young minister, hires a new spokesman, honest and polite high school professor Luciano Sandulli.

A provincial chemist in the throes of a mid-life crisis must choose between burying his dearly departed grandmother and cremating her in this quirky comedy of manners starring Valerie Lemercier, Denis Podalydes, and Isabelle Candelier.

Childlike in his innocence but grotesque in form, Frankenstein’s bewildered creature is cast out into a hostile universe by his horror-struck maker. Meeting with cruelty wherever he goes, the friendless Creature, increasingly desperate and vengeful, determines to track down his creator and strike a terrifying deal. Urgent concerns of scientific responsibility, parental neglect, cognitive development and the nature of good and evil are embedded within this thrilling and deeply disturbing tale.

Tíz éve halt meg Xavier Kriszpusz, a nagy olasz filmszínész, egy zseni, ahogyan azt az egyik kritikusa mondta. Több feleséget, és négy lányt, egy olaszt, franciát, spanyolt, illetve svédet hagyott maga után. Mindegyiknek megvan a maga problémája, a francia lányának például három gyermeke van három különböző apától. A család most összegyűlik Xavier szülővárosában, a nagy házban, ahol meglátta a napvilágot. Az összejövetelre azután beállít Pedro del Rio, a kaszkadőr színész, érkezése mindenkit felkavar.(port.hu)

Michele criticizes the film industry and its inhabitants, and is particularly embattled with a Neapolitan director making a musical about the 1968 student demonstrations. At the same time, Michele has a creative block and struggles to finish his film titled "Freud’s Mother." Nanni Moretti’s self-inquiry into filmmaking, political ennui, and men’s relations with their mothers.

Forging his own comedic boundaries, Anthony Jeselnik revels in getting away with saying things others can't in this stand-up special shot in New York.

A documentary following Wong Kar-wai and his cast and crew through the production of his 2000 film In the Mood for Love.

Egy fiatal nőt megvádolnak egyik szomszédja meggyilkolásával, miután a bűncselekmény elkövetését megálmodta.

A-yuan and A-yun are both from the small mining town of Jio-fen. They move to Taipei, where A-yuan is an apprentice by day and goes to night school, and A-yun works as a helper at a tailors. Everyone thinks they are meant for each other, and so do they. They fail to see time and fate are beyond their control.

Michele Casali is a middle-class professor in Fascist Italy who teaches at the same high school attended by his only daughter, Giovanna. A shy and sensitive girl, her insecurities are only magnified by Michele's overprotectiveness—reaching a point of no return.

Három nappal 2005 karácsonya előtt Jimi, a sikeres videojáték-fejlesztő egyedül bámulja a hóesést, barátnője egy éve eltűnt. Három nap múlva kerül a boltokba az általa fejlesztett "Nirvana" játék, amelyet vírus támad meg az utolsó pillanatban. Solo, a virtuális hős tudattal is rendelkezik, könyörög Jiminek, hogy szabadítsa meg a rémálomtól és törölje le a játékot. Mi más is lehet a legnagyobb szabadság, mint megsemmisíteni saját alkotásunkat egy pillanat alatt? Ám a cég bebiztosította magát: őriz egy eredeti példányt. Nem marad más, mint betörni a rendszerbe: Joystick, a műszemű angyal és Naima, a mesterséges memóriájú nő segítségével. Meghökkentő formatervezés, a virtuális valóság jövőképe és főleg Giorgio Armani ruhái teszik izgalmassá az olasz mozi egyik kultuszfilmjét.

The daring story of two friends, with a common musical past and a future to be written.

Bruno Bonomo was a famous producer of B-movies in the ‘70s. After a long hiatus, Bonomo offers a screenplay to RAI centered on the figure of Italy’s prime minister and media tycoon Silvio Berlusconi, a subject so controversial that even the public television broadcaster refuses to produce it

Michele, Goffredo, Mirko and Vito are four friends who have participated in the battles of the student in Sixties. Now in the Seventies, the four friends don't know what to do, though young and with so many possibilities to find a job in life. Intellectuals marginalized and misunderstood, the four friends find themselves when they can in a restaurant to discuss their outlandish theories. A girl named Olga disrupts their life, but Michele is her favorite, although he does not know what to do with the girl.

A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.

The stories of four girls who live in and around Rome.