A young photographer's home is haunted by it's former residents.

Four women are waiting for the blue circle and a possible change of their lives.

At the turn of 1990 in Algeria, in an end-of-era atmosphere marked by the victory of the Islamists in the municipal elections, then in the interrupted legislative elections of 1991, a prelude to a decade of particularly barbaric violence, the Algerians will experience the radical Islamism, its desire to rule public and private life and a daily life of attacks, assassinations, then collective massacres, which left 200,000 dead. Literature and cinema have strived to question and bear witness to the enormous trauma of this period called the “black decade”.

Teens in cabin get murdered by cult

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

Kadhiravan, a businessman, desires a wife who should respect his parents. After seeing Kayalvizhi on TV, he meets her on the pretext of being a home contractor and slowly makes his way into her heart.

As night falls, an ethereal mist creeps over a forest cover as old as the world itself. The primeval howl of a wolf echoes across the mountains, followed by another and yet another wolf. Down in the valley, a wisent turns swiftly, a deer runs off a little and a beaver swims into its hiding place. Only a bear waits in anticipation of sponging off the prey of the wolf. This is the story about the rebirth of European wilderness, in which the wolf, the wisent, the bear and other rare animals live as freely as centuries ago.

Néhány rövidke évtized alatt az emberiség teljesen felborította a bolygó egyensúlyát, amit több mint négymilliárd év evolúció hozott létre. Nagy árat fizetünk, de már túl késő ezen rágódni: az emberiségnek tíz éve van, hogy megfordítsa ezt a trendet, tudatába kerüljön annak, hogy milyen mértékben károsította a Földet és változtasson fogyasztási szokásain. Több mint ötven országból mutat nekünk képeket Yann Arthus-Bertrand, aki letette az alapkövét annak az építménynek, amelyet mindannyiunknak együtt kellene építenie.

Three young Inuits set off in search of a promised land to save their clan from starvation.

The masterpiece of Shino Sakuragi, who won the 149th Naoki Prize for "HOTEL ROYAL" in 2013, is now a motion picture. A lawyer burdened with an inexpiable sin, and an accused woman who seals her past and keeps it a secret. In Kushiro, Hokkaido, the pair who chose a faraway town as the terminal station of their lives encounters and develops a moving drama by starting new lives. Koichi Sato enters new territory his performance, while Tsubasa Honda plays a serious character which creates a new image for herself. Machiko Ono, Shidou Nakamura, Shigeru Izumiya and other talented cast members join in the film.

A good nurse ruins her career by covering up for her sister's careless mistake.

From her window, Siri Pårup can see the building opposite where the everyday heroes and heroines of this persistently intriguing film reside. The Swedish filmmaker has reconstructed some of these flats in a studio, using effects to make them blend in with the building’s real façade, in a brilliant and playful variation on everyday voyeurism.

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

22-year old Teun has to move back home. His house-mates have organized a farewell dinner for him. What starts as a social gathering, emotions are running high soon.