Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

"Cholly" wishes to call on his best girl and sends her a large bouquet. To find out if the girl really loves him, he sends a note with the messenger boy requesting her to "wear this" if she does. The boy delivers the note and a package which the young lady opens and finds an old pair of trousers and other masculine wearing apparel.

Upon arriving at the Digital World after the "reboot", the Digidestined are hunted by a new villain. Meanwhile, Sora is troubled by her partner Digimon's indifference towards her.

ok so basically yeah

Fear is part of our identity, it is our everyday life and we experience it in different ways. We grow up with it, and over time we overcome or suppress it. However, it is always present, transforms itself into something else, follows our steps, and enters our dreams. It is said that fear has big eyes, they grow where we meet the unknown and then, to some aspects of reality, such as time, we give unrealistic proportions. Only when the fear is overcome, the eyes shrink and the picture becomes clearer.

The film follows the story of a young girl named Isang on her first day of menstruation.

A dystopian coming-of-age movie focused on three kids who find themselves in an abandoned amusement park, aiming to unite whoever remains. With dangers lurking around every corner, they will do whatever it takes to survive their hellish Neverland.

Just a century ago, there were an estimated 1 million deer living on the North American continent; now their numbers exceed 30 million.

Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.

A successful and popular nightclub owner who believes financial independence is the path to equality and success, must act as a go-between for militant-minded brother and the white gang syndicate his brother has attacked and robbed. Their involvements lead to a breathless race course chase, the destruction of a dopepusher and a violent waterfront climax.

One evening, Martin, a broadcasting student, is invited for coffee by Lawrence, the TV reporter he idolizes. During the days that follow, Martin shares with his friends separately three versions of what transpired during his meeting with Lawrence: what happened, what really happened, and what might have actually happened. Through conversations with friends, Martin comes to terms with the idea that his idol – a dignified newsman who is supposed to be a paragon of virtue – is not who he appears to be on television.

1985. Miami is kept safe under the watchful eye of Kung Fury and his Thundercops, the ultimate police force assembled from across history to defeat the villainous Kung Fuhrer, Adolf Hitler. After the tragic death of a Thundercop sees the group disband, a mysterious villain emerges from the shadows to aid in the Fuhrer's quest to attain the ultimate weapon. Kung Fury must travel through space and time to save his friends, defend the prestigious Miami Kung Fu Academy and defeat evil once and for all.

On the island Tiengemeten, thirteen miles south of Rotterdam as the crow flies, all roads come to a dead end. Behind the dykes is water and wilderness. Here, among these dykes on 1700 acres of fertile land, director Digna Sinke filmed from 1996 how Tiengemeten is intended to become a stretch of wild nature, as part of a conservation plan. This is easier said than done. Alternative land with living accommodations has to be provided for six farming families. This comes through for five, but not for Leen Vos. Sinke also filmed how project groups regularly come and take a look and call meetings. Tiengemeten will be divided into three sections: Wistfulness, Wilderness and Wealth. However, nobody knows how the plan will work out. The negotiators allow farmer Leen Vos to stay until 2007. Until that time, the project cannot be carried out. Sinke just keeps filming, in her restrained, observant style, devoted to the magnificent scenery.

Mr. Whicher is hired by former Home Secretary Sir Edward Shore to investigate the violent threats made against his son Charles, who has recently returned from India with his family.

Watch Morcheeba play a stunning November 2002 set at Brixton Academy, then embark on a tour of China in March 2003. The band was invited by the British Council to play 8 shows in 5 cities as part of the Think U.K. festival, which brought the best of Britain's originality, creativity, and innovation to China in a series of high-profile events. The bonus 24-minute tour documentary shows footage of the band playing live in Beijing and discussing their experiences in China. Track Listing: The Sea Friction Tape Loop Otherwise Part of the Process Aqaulung Love Sweet Love Be Yourself Slow Down Trigger Hippie What New York Couples Fight About Moog Island Way Beyond Get Along Public Displays of Affection Jolene Blindfold Undress Me Now Over and Over Charango Rome Wasn't Built In A Day

Fidel Castro has survived U.S. hostility, an invasion, several CIA assassination attempts and an economic embargo. His face has become an iconic image worldwide, yet the man himself remains an enigma to all but a few. Through interviews with relatives, childhood friends, fellow rebel leaders, Bay of Pigs veterans, human rights activists and journalists, this program constructs an intimate portrait of the most resilient of leaders.

Luana is a 12-year-old girl struggling to grasp the world collapsing around her, as her parents separate and her estranged Grandfather falls ill. It takes one unlikely person to help her find her way.