Gertrude Lawrence rises to stage stardom at the cost of happiness.

Follows a youngster Kalai and his aspirations of becoming a 'Star' in the Tamil Film Industry. Born in a lower-middle-class family, will Kalai overcome all his struggles to emerge as a Star?

"Let's Get Loud" was Jennifer Lopez's NBC Special, which premiered on November 20, 2002 and was recorded over 2 nights in Puerto Rico in the fall of 2001. It was Jennifer's first-ever headlining concert appearance, showing off her talents as a vocalist and dancer. The performance features a variety of Spanish and English songs, including: "Love Don't Cost A Thing", "If You Had My Love", "I'm Real", "Plenarriqueña", and many more.

Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.

Émilien, a kétballábas rendőr végre megszerzi a jogosítványt, Daniel, a turbómeghajtású taxis pedig szép barátnőjével randizik. Ám az események elszabadulnak, amikor a városba látogat a japán védelmi miniszter, akit elrabol négy rejtélyes nindzsa. A miniszternek nyoma sincs, ahol pedig a rendőrség tehetetlen, csupán egy megoldás van: a taxis, aki utálja a zsarukat, de barátjáért a gázba tapos, frontálisan megütközik a nindzsákkal, és megmenti a franciák becsületét. Hamarosan fékezhetetlen banditák és csúcsra pörgő ellenfeleik üldözik egymást Marseille kanyargó sikátoraiban.

After mastering swordsmanship at the dojo of Chiba Shusaku, and unable to serve a clan due to his illness, Hirate Miki becomes a ronin who winds up as bodyguard to Shigezo of Sasagawa leading up to an epic battle.

A compilation of Ernest commercials, the VHS included a sweepstakes in which viewers who correctly counted the total mentions of the words "Vern" and "Knowhutimean?" in the video and submitted their answer before April 1, 1988 would be entered into a random drawing to win a $10,000 prize.

Clara is a lone, much to the chagrin of her family, who wish she could find happiness with a partner. After her aunt dies, she inherits a pet...

Thomas, a specialist at breaking and entering, gets out of jail after nine months and finds another man in bed with his girl. In the next 24 hours, he seduces one woman, steals her bracelet, and gives it to another in exchange for felatio. Soon after, he sets eyes on Léa; at first she's just another challenge. She dismisses him, but he's persistent. Finally she decides to love him, but warns him that she's hard to get but harder to get rid of. When he does decide to leave her, she is devastated, but so, it appears, is he, and back he comes. Now all seems wonderful, but his past, in the form of the woman whose bracelet he stole, comes back to haunt him. How will Léa handle it?

Two guys against globalization want to plant a virus in the network of a finance corporation. On the day of the attack Alex has an accident and cannot remember anything. Visions and reality are thrown together in a confusing maze. Alex tries to escape from this muddle but what he discovers turns out to be rather frightening…

After winning his second Olympic gold medal at the 1976 Montreal games, Cuban boxer Teófilo Stevenson was at his peak. American promoters offered him $5 million to turn pro and challenge world heavyweight champion Muhammad Ali. Stevenson refused the offer, asking "What is one million dollars compared to the love of eight million Cubans?"

In a future present, a rebellious Veronique finds herself working for an inventor who has dedicated himself to the cause of a positive darkness; he is working to counter the tide of a bright, diffuse, and technologically oriented time as represented in the film by man-made light. Veronique's brother Alix works for an agency that is attempting to thwart the process.

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.