Second anthological short from Pett Kata Shaw. Based on the folklore that Jinns are attracted to sweets and invade sweet shops at night. A Jinn appears to sweet shop named 'Mishti Kichu' and asks for sweets to its forgetful owner.

Here we have recorded a very novel scene, the camera having been placed in the basket of the captive balloon at the Pan-American Exposition...

If hugs are tangible why am I hugging the void

Explore a collection of cinematic original stories, follow each characters on their journey to self-heal, redemption & life as they travel their path to becoming who they are.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

The work has been created for the IAR international video art exhibition at palazzo Fondi in Napoli, and it was filmed and produced at Via Farini - Vir artist in residency in Milano. The film wishes to investigate a potential contemporary condition of suspension in which western-society has fallen into. The artist by assembling a unique optical device has explored the microscopic dimension of billboard paper and projected it back onto its given urban environments. The result is an atmospheric work in which the micro confronts the macro in a sequence of urban projections where by means of juxtaposition of perspectives reality results as partially suspended.

The Rogue King is coming!!

We are now saying goodbye to the 1960s. The 60's started eventfully on May 27. It ended as eventfully as it began. The '70s inherited escalating violence, student riots, and rumors of intervention. Prime Minister Demirel was trying to put out the fire in the street and to calm the increasingly restless army on the other. The October 1969 elections were held in this atmosphere and the Justice Party came out of the ballot box again. May 27 came by overthrowing the DP government, but the AP, which declared that three of the three elections held since the 1960s, were the continuation of the DP, emerged successfully. Demirel was about to roll up his sleeves for a new era. He felt that no one could stop him now. He was wrong. As he was dizzy from victory, he fell at Caesar's fault. Forgot about Brutus...

L. Frank Baum is attempting to write a new story. Before he has written more than his name, he is interrupted by his youngest son, Kenneth, and their dog, Dorothy. Persuaded to write about Santa Claus by Kenneth, and with the support of hos butler, he spins a yarn about a "Santanapping" preventing Santa Claus from performing his annual duties and the ambition of the young ryl, Whisk, to assist in Santa Claus's rides, who, with Kilter the pixie and Nutter the knook, has to do just that, according to Santa Claus's emergency orders.

Captain Kirk. T.J. Hooker. Denny Crane. Big Giant Head. Alexander the Great. Henry V. Priceline’s Negotiator. These are but a handful of the innumerable masks worn by William Shatner over seven extraordinary decades onstage and in front of the camera. A peerless maverick thespian, electrifying performer, and international cultural treasure, Bill (as he prefers to be called), now 91 years young, is the living embodiment of his classic line “to boldly go where no man has gone before.” In unprecedented fashion, You Can Call Me Bill strips away all the masks he has worn to embody countless characters, revealing the man behind it all.

This martial arts movie tries to explain the strange death of the international movie star and kung fu master Bruce Lee. Most of the story centers on a former disciple of Lee who launches a private investigation and ends up avenging the brutal death of his own girlfriend.

"Marlborough" and "The Arab", lounging on the pool terrace, are alienated characters in some future time, living in a world where art work comes to life, phones continuously ring, televisions hum all night, and smog seeps into their brains.

Sister Rachel Taylor of Boise, Idaho is an eager young missionary of the LDS Church who has been sent on an 18-month long mission to Austria. Rachel finds herself having a hard time adjusting to her new cultural surroundings in the foreign country. Due to differences in opinion, she is also unable to get along with the companion missionary that was assigned to her by the church.

Amaya has filmed the four love relationships that marked her life. She covers the last 20 years, from her first fall in love when she was 18, to her current age of 38. Faced with the desire to be a mother, she writes an audiovisual letter to her future children. She thus takes us on a journey into her past that reveals the phases of love, the challenge of long-distance relationships and the clash between illusions and frustrations or guilt. The film combines documentary and animation, the real and intimate, with the expressive. An apparently personal and intimate film, where the turn and evolution of the protagonist can also be read from an anthropological or political prism, reflecting the change in the role of women in intimate relationships.

Alexandria Wright meets Elijah Martinez and the demonic journey begins. Elijah Martinez finds himself ensnared in a romantic involvement with Alexandria Wright, an unfaithful Covert Narcissist. She convinces him they are soulmates and they take a vow before God for His blessing with the penalty of betrayal being death. After years pass, Alexandria forgets the vows and begins cheating behind Elijah's back. Just a week before Christmas, she abruptly betrays him. To his astonishment, she swiftly transitions to a new relationship, bringing with her the unsettling secret of transmitting an incurable sexually transmitted disease to her new partner. Then came Karma. Her victims arrive to spit on her dirty grave as her demise finally arrives.