Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.

If hugs are tangible why am I hugging the void

When Rumpelstiltskin tries to take over Earth once and for all, The Avengers Grimm must track him down through time in order to defeat him.

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

Young women in Nazi-occupied countries are packed onto a train and shipped off to a prison camp, where the sadistic commandant uses them as rewards for his lesbian guards and perverted and deviate troops.

The legendary Native American chieftain refuses to go with his people peacefully to the reservation and starts a rebellion.

In Variations, Angelidi creatively activates her knowledge of the history of the cinematic image and connects it to a global artistic language of an alternative, poetic cinema, while still preserving the peculiarities of her own tradition and, especially, her personal concerns. Angelidi -who appeared with the film Idees Fixes - Dies Irae (Variations on the Same Theme) in 1977 is classified among the filmmakers who emerged in the seventies with films that were "different", from an aesthetic viewpoint, and who proposed "another" kind of narrative

A zombie meets a young woman while jogging.

For Yogi, assaults have become a daily routine, so much so that the sight of his latest victim, a heavily injured woman slumped in her car, leaves him untouched. But then he spots her baby on the back seat. Without a second thought, Yogi takes the completely defenseless creature along in a basket. Not even a machine gun pointed at his forehead could have had a stronger impact on his life; he feels threatened and seduced at the same time.

Fong és mestere egy arany Buddha szobrot visznek a Birodalmi Templomba. Egy éjszaka a szellemtanyaként ismert Orchidea Templomban keresnek menedéket. A helyet a száz év múltán újra feltámadt nagyerejű Fák Démona és csábító papnői tartják uralmuk alatt. Amikor a mester magára hagyja Fongot az egyedül kénytelen szembe nézni az ifjú buddhista szerzetesekre legnagyobb veszélyt jelentő ellenféllel a gyönyörrel és a szerelemmel, amely a szellemlány, Lótusz alakjában fenyegeti. A fiúnak sikerül leküzdenie a kísértést, de közben nyoma vész a szobornak. A mester haragjától rettegő Fong rábeszéli öreg utitársát, hogy egy szelleműzés erejéig maradjanak még e helyen, hátha közben csendben megkerül az elveszett szobor is.

The inspirational story of Mercedes Gleitze, the first British woman to swim the English Channel and her battle against both the cold waters of the Channel and the oppressive society of the 1920s England.

Two 20th century youngsters, Andy and Karen, are accidentally transported back to the year 100,000,000 B.C. by their father's time machine. While dodging dinosaurs, the kids find a loyal friend in the form of Bunjee, a lovable, purple-haired creature who resembles an elephant with suction cups for feet. After escaping danger, Andy and Karen bring Bunjee with them when they return to the present. Alas, Bunjee is hardly ready for modern civilization, and vice versa.

Groot felfedez egy miniatűr civilizációt, amely rég várt hősének tekinti az óriásnak tűnő facsemetét.

Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.