This film is a mix of landscape images seen from train windows and the patterned shapes and shifting tones of moving-visual-thought thus prompted; it was inspired by Robert Breer's FUJI.

A man lurks the night alleys, killing people at random, he feels nothing, no emotion, and no pain; when he meets a graceful widow he must confront what it means to be human.

Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.

George és Mildred házasságát nem az égben, hanem a földön kötötték. A jeles esemény évfordulóját pedig meg szokás ünnepelni. Hőseink így is cselekszenek: egy elegáns londoni szállodában tölti a hétvégét. Ám bensőségesnek és szolídnak szánt szórakozásukkal akaratlanul nem várt kalamajkát okoznak. A lavinát egy ostoba szállodai portás indítja el: összetéveszti George-ot egy felbérelt mesterlövésszel és egy pénzzel teli borítékot nyom a zavarba ejtett ünneplő férfi kezébe. Az átadást azonban észreveszi a megölendő fickó testőre és a pár után ered. George és Mildred azonban nem érzi a közelgő veszélyt és önfeledten folytatja az ünneplést, nem sejtvén, hogy nyomában mindenütt felfordulás marad. Sőt! Jónéhány hulla is!

From an inauspicious beginning performing comedy routines in the back of a burger joint in New York, unorthodox stand-up star Zach Galifianakis has made a splash on the scene with his inimitable brand of humor. In this live show filmed at San Francisco's Purple Onion nightclub, the versatile funnyman serves up a healthy dose of his signature wit.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

Outskirts of Moscow. A girl comes to an unfamiliar apartment to look after a dog. After a while, she realizes that the owner of the apartment has disappeared. She finds herself into a series of people that have been taking care of the dog for years in that same apartment, creating a weird community around this strange absence of the owner.

A story about capitalistic corruption in a small village and the personal struggles of Anka (Vera Marinich) as she is pregnant and abandoned by her lover.

UFC Fight Night 85: Hunt vs. Mir was a mixed martial arts event held on March 20, 2016 at the Brisbane Entertainment Centre in Brisbane, Australia. It was headlined by a heavyweight bout between the 2001 K-1 World Grand Prix and former interim title contender Mark Hunt and former two-time UFC Heavyweight Champion Frank Mir.

Extraterrestrials contact earth in this delightful fable. Their message is "HELLO" in many languages, and there is a celebration.

Three delinquents murder a prosperous farmer at an isolated farm house. One witness to the crime - the dead man's secretary - is then taken hostage. The other witness - her young son - is thrown into state of shock. Can he recover soon enough to help the police - and his father - rescue his mother before it's too late?

The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: This lecture takes its name from a line in John Keats' poem, "On the Grasshopper and Cricket". Bernstein does not discuss Keats' poem directly in this chapter, but he provides his own definition of the poetry of earth, which is tonality. Tonality is the poetry of earth because of the phonological universals discussed in lecture 1. This lecture discusses predominantly Stravinsky, whom Bernstein considers the poet of earth.

Ayaka lives with roommates. One day, she is caught in the rain while waiting for her boyfriend when she happens upon an umbrella that had been thrown away. She picks it up but, after that, she is nowhere to be found.

The comedian and best selling author of "Cancer on $5 a Day...How Humor Got Me Through the Toughest Journey of My Life," has plenty to say on everything from raising a 17 year old daughter, bargaining with the Almighty, and how not to make friends with a dolphin.

When their friends start dying mysteriously, David and Vinay believe it to be the handiwork of a ghost. However, the cop investigating the case seems to think otherwise and goes after them. What is the mystery here?

Anolan is a soloist in a string orchestra, lives with her mother and dedicates every minute to his profession; Enmanuel is a peasant resident in the Sierra Maestra who devotes his time to working the land, accompanied by his young son.

During an innocent party game at the friends' annual dinner on Walborg night, the hostess discovers that her husband is cheating on her with one of the friends. The discovery has significance for all the guests, as old relationships change and new ones are created.

The four principals in a love affair collide when jealousy, blackmail and suicide enter the picture.

An insurance investigator meets an attractive woman in a hotel on his way to check out the causes of a fire that destroyed a movie set.