Four new Banshee Squad Members join the Hong Kong Police Academy to undergo training supervised by Madam Wu. Their personalities don't click with the current Squad Members, resulting in petty arguments and duels. However, they later make peace with one another as they join the Tiger Squad Members, supervised by Inspector Kan, to undergo new training courses together and combine forces to take down a band of terrorists.

Complete the sealing of the dream realm "Nightmare" created by the demonic cult! My name is Yume Kimino. A high school girl living in Tokyo. And "Fool" belongs to "Nai-kei". Code name is "Dream Breaker"

Two friends fighting dirty

A convicted murderer escapes from a secure unit on the moors, and finds himself in a small village, famous for its Beast sightings and disappearances. He's taken in and looked after by a strange lonely spinster who has taken a liking to him, but he soon begins to wonder if he was better off in prison.

Italy, 1970. An increasing legion of harmless warriors begins a peaceful struggle for sexual freedom through pornography, shaking and shocking religious authorities and conservative political institutions. They are ironic, happy, crazy. They are dreamers, defenders of definitive communion between body and soul. But they were censored and humiliated. They were mistreated and arrested for demanding loud a new cultural renaissance.

Claustrophobic portrait of a docile rural wife's daily routine.

A lifetime story of a woman who stubbornly lives in a poor mountain village in post-war Japan.

After escaping from the terror of Vietnam, Jackson works as a headhunter. His old enemies from Vietnam open up a disco near the American-Iraqi border. They try to sell dangerous weapons to the Iragi government. Jackson is the only one who can stop them. Besides, he must care about his daughter, age 5. On the birthday party of his daughter, the situation escalates... and there is still a dance competition to be hold.

It's Christmas eve. An inebriated dad brings home to his adolescent son a gift he hopes will mend their faltering relationship, a Fookah, a devilish and disgusting creature that in turns wrecks havoc on their lives.

A cop (Zack Ward) must capture a mob boss (Justin Van Bibber) who wants the cop to join him in his gang.

Documentary of the making of the animated family film, The Iron Giant.

June 1940, near Saumur. During the exodus, the bridges having been destroyed, a group of refugees, brought together by the chance of fleeing the advancing German troops, build a raft to cross the Loire to evacuate a sick little girl.

The Rascals, feeling unloved at home, decide to become pirates. Meanwhile, a mother, an aunt and a valet join the cops in searching for the runaways.

The owner of a historic inn decides to enter a prestigious cooking contest to win funds for renovations and get free publicity, but she is a horrible cook. She recruits a renowned chef to help but the kitchen isn't the only thing heating up.

A young man is arrested and put into prison for a car accident. His two victims in a coma get into a hospital. The director from his own tragic experience shows us the reverse side of Georgia. Where is the edge to cruelty and sadism, how much can a person bear in a world of absurd injustice and total ridicule? What can you do when you confront the system?

The “scattered factory” expands. This journey recounts how, among abandoned buildings, mines transformed into tourist attractions, factories in Eastern Europe that have been reconverted to produce Italian cars, and the transformation of industrial cities and towns such as Sesto San Giovanni (the former Stalingrad of Italy) and Lumezzane (the “workshop” city of the Brescia area). The places, the images, the sounds. The director takes note and recounts by blending telephone calls, conferences, poems, old movies, commercials on Yugoslavian TV, Russian ballets, experimental performances. One sole flow that expands into multiple senses and directions. Just like a factory.

Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.

Godard constructs a lyrical study of the cinematic and creative process by deconstructing the story of his 1982 film Passion. “I didn’t want to write the script,” he states, “I wanted to see it.” Positioning himself in a video editing suite in front of a white film screen that evokes for him the “famous blank page of Mallarmé,” Godard uses video as a sketchbook with which to reconceive the film. The result is a philosophical, often humorous rumination on the desire and labor that inform the conceptual and image making process of the cinema.